Trans-Siberian Orchestra unlikely to return to Orlando with their Christmas holiday special | Holiday Guide | Orlando

Trans-Siberian Orchestra unlikely to return to Orlando with their Christmas holiday special |  Holiday Guide |  Orlando

Last year, the Trans-Siberian Orchestra was forced to cancel its signature annual project – a holiday tour of North American plazas that normally attracts more than a million fans.

To help fill the void, TSO organized a live concert. Minimizing the scale of the show from the arena where TSO deploys a stunning light show and all kinds of fireworks and special effects to something that works on a TV or computer screen was a challenge, but the live broadcast, which came out in 1996 Christmas Eve and Other Stories The album, well gone, is an unexpected early Christmas gift for fans.

And somehow, livestreaming brought TSO back to its beginning, before founder/songwriter, the late Paul O’Neill, could financially create the great visual gig that music fans know and love. The live broadcast also revealed an important fact for Al Pitrelli and Jeff Plate, the music directors of two TSO groups.

“If you go back to our first show in 1999, Jeff and I … I think we had, I don’t know, seven or eight cities on tour,” Petrelli said in a phone interview shortly before rehearsals for their tour. seem.

“We had a box truck, two buses, and a fog machine. The curtain went up, the lights dimmed, and we played songs from top to bottom. It wasn’t an overload that arose. A beautifully written story that Paul O’Neill put pen to paper in ’95, and we started recording in ’96.” People fell in love with the characters. They fell in love with the story. They fell in love with the feelings because at the end of the day, Paul’s story is about losing someone, and everyone misses someone, especially around the holidays.

“I think during the live broadcast, he showed me, in particular, two things,” Petrelli concluded. “The first is that people love the story. It didn’t have all the special effects. There’s no physical way we could do it. But the band gave an amazing performance. The singers brought the characters back to life. I heard after the fact that we’ve sold nearly 250,000 of these things. A financial standpoint, I didn’t really care. It didn’t matter to me. What really made me emotional was that people wanted their traditions. Almost though, we all got together.”

Pitrelli and Plate are taking two groups of TSO roving to arenas across the country starting this week. Knowing that fans will be attending en masse for the shows continues to make Pitrelli and Plate surprised and thankful. After all, when O’Neill founded the project, he envisioned something new and unproven in contemporary music.

For one thing, TSO has combined a rock band and orchestra playing concept albums with coherent stories. Rather than building an image around a singer, guitarist, or conductor, the band used multiple vocalists and a group of instrumentalists who would remain largely anonymous to listeners. How to market the group was a big question. Albums would require big budgets, and to be financially viable, tours would need to run arenas from the start – something that few music businesses haven’t done well.

However, Atlantic Records joined in with O’Neill’s vision and signed to TSO. The label’s faith was rewarded as the Christmas albums trilogy became hits that continue to sell well each holiday season.

The first version was Christmas Eve and Other Stories. Driven by the single “Christmas Eve Sarajevo 12/24”, it sold three million copies. The two other rock operas that make up the TSO Christmas trilogy – christmas attic (1998) and Lost Christmas Eve (2004) – both surpassed 2 million copies sold.

Additionally, the group released their Christmas EP, 2012 Dreams of fireflies (Christmas Eve), And three long non-holiday albums – Last night for Beethoven (2000), night castle (2009) and Messages from the labyrinth (2015). Altogether, the group’s CDs and DVDs have sold over 12 million copies and run the Christmas Tour to nearly a million fans each year.

This year, as in 2019, the TSO Show will feature a file Christmas Eve and Other Stories album as the first group, followed by a selection of other material in the second group. This 1996 debut album ran for twelve years when TSO began touring, and then was dedicated to featuring the other albums in the Christmas trilogy on subsequent tours. The recovery of the album that started TSO’s journey was a private matter for Petrelli and Blight.

“Yes, this is my favorite program,” said Blitt, who joined Petrelli for a conference call. “I’ve said all the time, I think this story is really the star of the show. That’s what keeps bringing people back every year…when people hooked up with the story and realized it was about them. It’s about everyone. That’s just how people keep coming back again, And this audience continued to build every year [was] Our first project with the Trans-Siberian Orchestra, Christmas Eve and Other Stories, So this makes a lot of sense. It is very special to all of us. songs, story, [everything] About it, I think it’s great.”

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